Caddy of teabags and rewording Audre Lorde
This caddy of turmeric and ginger-stained teabags, if I may use a collective noun, displays text reworded from The Cancer Journals by Audre Lorde, about her struggle with breast cancer
Focussing on my work and my voice
Focussing on my work and my voice. Looking forward to arranging the teabags in my installation Foreigner Within, in the Grenada Pavilion at the Venice Biennale in April.
Herb and spice-dyed teabags for Venice
These teabags reflect the power of bush teas in Grenada culture to cure or soothe most ills
I’m off to Venice, Italy
Thrilled to be accepted as part of the team representing Grenada at this global event! Participating at the 60th Venice Biennale is a dream come true for this small island Caribbean artist! The theme for the Grenada Pavilion is 'No man is an island.' Read up on what...
China: Qinghai Province Day 1
A mountain monastery, a spontaneous stop at a local park and thoughtful selection of local cuisine were part of my first full day
China and Grenada: 2 graduations in 18 days
I am looking forward to the whole experience of a week at an average elevation of 4,000 metres above sea level, the roof of the world, and putting both my certificates to work
China: Graduation from China Development Studies and Media Exchange
We are almost at the end of our 4-month journey, armed with a better understanding of China, in great part due to the China Development Studies and Media Exchange programme, which gave us insight into the Chinese path to modernisation
China: My first-hand experience of Chinese modernisation
The most compelling summations of Chinese modernisation, in my opinion, are bookended by the movie “Wandering Earth II” and the 5D immersive displays at the National Museum
China: Kunqu Opera cultural bridge to the world
With a history of over 600 years, Kunqu is one of the oldest forms of Chinese opera still performed today, providing a cultural bridge from China to the world
China: Beijing Art Expo REUNION
Grenada’s artists can hold their own in global markets; however, the high costs to exhibit at events that attract collectors is a barrier